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Thad K erosky, Florence H einen, Alex M elamed, Dylan D aney.
Monday December 15, 2003
There are three main types of waves, longitudinal, transverse, and surface waves. A transverse wave is a wave in which particles of the medium move in a direction perpendicular to the direction which the wave moves. A longitudinal wave in which particles of the medium move in a direction parallel to the direction which the wave moves. (See Figure 1.)
Figure 1. (Diagram from The Nature of a Wave)
The third type of wave, a surface wave, is the waves that travel along the surface of the oceans are referred to as surface waves. A surface wave is a wave in which particles of the medium undergo a circular motion. Surface waves are neither longitudinal nor transverse. In longitudinal and transverse waves, all the particles in the entire bulk of the medium move in a parallel and a perpendicular direction relative to the direction of energy transport. In a surface wave, it is only the particles at the surface of the medium which undergo the circular motion. The motion of particles tends to decrease as one proceeds further from the surface (The Nature of a Wave 2001)
Figure 2.(From The Nature of a Wave)
In this project we will be studying sine waves which are a type of transverse wave. Since a sine wave has only a single frequency associated with it, it may be considered the simplest sound (Sine Wave 1999). Frequency (λ) refers to the number of pressure peaks that pass a particular point in a space over a period of a second (Sound Waves 2002). The amplitude refers to the difference between maximum and minimum pressure (Sound, The Fundamentals 1999).
The unit of frequency used for sound is Hertz (Hz) which has a periodic interval of one cycle per second. The human ear is able to feel frequencies between 60 Hz to 20 000 Hz, depending on the age of the person. Sound waves with a frequency above 20 000 Hz are called ultrasonic waves (Basic of Sound Waves 2001.
The decibel or dB is a logarithmic measurement of sound intensity or in other words "10 times the logarithm of the ratio of the sound intensity to some reference intensity" (Wolfe 1998). The decibel unit is used to determine sound loudness or intensity (Wolfe 1998).
The middle ear is made up of the tympanic cavity and includes the malleus, incus, and stapes, also known as the hammer, anvil, and stirrup. These three very little bones are known as ossicles. They vibrate together as a chain and amplify vibrations that transfer to the inner ear. The middle ear is also connected to the Eustachian tubes, which connect to the back of the throat to adjust pressure and allow for drainage.
The stapes tap against the inner ear, which is made up of the cochlea. The cochlea is an organ that is less than a centimeter wide at the base and about half a centimeter tall. It is made up of a tube about two millimeters wide that wraps around the cochlear nerve two and a half times. This snail shaped organ transforms signals in the form of vibrations to signals that the brain can understand and transmits them through the cochlear nerves.
There is fluid in the cochlea that carries the vibrations from the ossicles to a membrane on the inner wall of the cochlea. The distance from where the stapes makes contact changes what frequencies can be detected. Vibrations nearer to 20 Hz hit the membrane closer to the end and 20 000 Hz near to wide or apical end of the cochlea (CIRC 2002). This is at the heart of hearing loss because very loud sounds characterized as over 125 dB of a certain frequency can disable the ability to detect that sound in that range. This is due to damage to inner and outer hair cells that line the inside of the cochlea. There are many kinds of cells that make up the walls of this organ and would demand a book to describe.
The journey of a detectable sound goes as follows: first, the compression wave is funneled by the outer ear. Then the air molecules hit the eardrum that transfers the vibration to the ossicles, which amplify it and transfer it to the liquid inside the cochlea where cochlear nerves transplant the sound to the brain to be interpreted. Over time, one's ability to detect sounds may deteriorate. This may be represented in a loss of ability to hear certain frequencies or a decrease in the overall range from their original capacity.
Beyond the loss of hearing caused in the work place, hearing loss caused by recreation, specifically listening to music at excessive volumes is becoming more common (Sherman 2000) At least 15% of American teenagers have permanently lost some hearing (Sherman 2000). ThatŐs about the same percentage you would find among people between 45 and 65 (Sherman 2000). As exposure is prolonged to excessive decibel levels of sound Ň the nerves and delicate membranes in the inner ear become damaged causing a hearing loss in the higher tonesÓ(American Academy of Family Physicians, 2000). This can cause an individual to be unable to hear most frequencies above 3,000 Hertz while a healthy ear might enable a person to hear up to 20,000 Hertz (Hellstrom 1995). Ears are most sensitive to sounds between 1,000 and 4,000 Hertz (Wolfe 1998). Hearing loss can severely alter speech ability. Acquisition of language skills and understanding speech patterns can be delayed by hearing loss (Schoenweiler 1998). The loss of ability to hear high frequency sounds can disrupt the comprehension of speech in accordance with an individual's sensitivity (Hearing Loss 2000). An individual's sensitivity in regards to hearing can be measured by calculating the range of frequencies an individual is able to perceive.
We Hypothesize that there will be a negative correlation between hearing range and the amount of loud music the participants listen too. Furthermore, we think that there may be a statistical difference between men a women, those who have a history of high fever, and those of different ages.
In the beginning, we set out to quantify any appreciable statistical trends within gender, age, hearing history, and music listening habits with respect to hearing range.
In researching for this project, we found an abundance of articles relating to occupational hearing loss. We also noted a lack of articles regarding hearing loss due to recreation. Using our survey, we expect to be able to identify individuals who regularly submit themselves to excessively loud music. If a correlation can be determined between hearing loss and the practice of listening to loud music our study will suggest greater attention be given to this issue by legislators, music equipment manufacturers, and performers. Our study would also evoke increased interest amongst the students of Peabody in regards to preserving their hearing abilities.
Any empirical evidence we derive from this research will be useful in situations where exact sound recognition is necessary. It would be possible to determine, for instance, how many residents in Peabody will be hearing a particular local band's music in it's complete frequency range production or the subset thereof.
By hearing range we mean which frequencies between 60 Hz to 20 kHz that can be heard at the same decibel level. The range of frequency will be broken into increments of 500Hz and played over headphones by a computer. After filling out our survey concerning their demographics, the participant will put on the headphones and interact with a computer program or a member of the group. The frequency range test will involve either a random sound frequency being played or a blank pause a total of 45 times. The volunteer will indicate whether he or she has heard the sound (or perceived the blank time) by choosing one of two buttons on the computer monitor. It is also important to remember that computers generate sound fundamentally differently than analog systems. The issues discussed in the introduction will be addressed by consistently using computers throughout the experiment.
It is understood that people may say they have heard a sound when they have not for any number of reasons, so the "blank" dummy factor will be included in the series of sounds. A blank or time of no sound will replace one or some of the times when a sound is normally heard. This is to ensure that people do not just say yes, I hear it, to every question, or if they do, we will know there is a flaw in the survey. It will help us have a better statistical accuracy by possibly eliminating or making us aware of a possible source of inaccuracy.
With the data collected, we will be able to make correlations between many factors. Gender, age, hearing history, and music listening habits will all be considered. The way we will measure people's hearing ability will be a percent of the tones that they hear. If they hear half of the tones regardless of the frequency they will receive a 50%. Hearing will be measured that way. We will do an ANOVA and t-test followed by a post-hoc analysis. This consists of retrieving the data in the form of comma separated lists from the program and plugging them into JMP. Once we have the outputs we will be able to see any correlation that may exist.
Gender: Male Female
Do you have any known hearing problems? Yes / No
Have you ever had any accident which did/could have impaired your hearing? Yes No
Do you listen to loud music? Yes / No
When you listen to music do you use headphones? Yes / No
Have you ever been hospitalized for fever? Yes / No
How many concerts have you attended in the year? #_________
the excel document with the data
Due to the large amount of data collected from each participant it is not particularly feasible to turn in an entire spreadsheet this large. This is the same information presented slightly differently.
The reason that there was no difference in hearing range compared to age and sex is clear. Men and women hear relatively the same, or at least to the tolerance of our test. The age one was logical because the age range we tested was relatively small. The youngest person tested was 17,
only 6 years younger than the oldest participant. Most participants were 18 and 19.
The results from the age survey though did have surprising correlations.
With a P-Value just above .05 we did not have enough data to prove a
statistical difference but there certainly was a trend. With a larger sample
size and greater representation of the larger age groups we may have been able
that a statically difference exist between ages- even between individuals
separated by only a couple years difference as our results suggested.
It is not entirely clear why there was no statistical difference for all the people who should have shown some sign of hearing loss. Reasons may be that the effects of loud music may not appear at such a young age as the group we tested. The questions we asked could have been unclear as to just how much people really listen to loud music or use headphones. Also the
definition of loud music may have been unclear.
People may also have been worried that they would be held accountable for their lack of
hearing ability. This may have caused people to lie. Some people defiantly did do this as can be
seen in the number of people who answered yes to dummy sounds that didnŐt even play.
We had a stunning example of one individual who was able to identify
every tone on are test-- answer no to all of the blanks-- and report that he
had attended over 50 concerts in the last year. On top of that he was a drummer
who practiced on a regular basis and played in a band. Although the
participant did report that he often wore earplugs there were still occasions on which he played the drums without them. Regardless the dB level exposure
through the participants drum playing, performance, and concert attendance,
according to our hypothesis, should have been significant factors in the range
of frequencies this individual could hear.
The equipment that we used to conduct the test may have also been a
factor. By using a laptop to conduct the survey and hearing test we were unable
to make the tests completely free from outside noise distractions. The fan of
the laptop made an ambient background noise that would make our data less
accurate. Along the same lines, we did not have access to headphones that
would completely reduce background noises. Forced to use standard headphones,
our results once again were again prevented from being as accurate as the possibly could have.
Hearing: Noise Induced Hearing Loss. 2000. American Academy of Family Physicians. http://familydoctor.org/handouts/226.html
This website provided detailed information regarding the specific decibel levels at which hearing loss occurs. It also highlights the physical nature of the damage that occurs in the ear when exposed to noise in the workplace.
The Annals of Occupational Hygiene Volume: 45, Issue: 5, July, 2001. pp. 371-380. Ahmed, H.O.; Dennis, J.H.; Badran, O.; Ismail, M.; Ballal, S.G.; Ashoor, A.; Jerwood, D.
This article outlined the practical costs of hearing loss in relation to healthcare as well as describing preventative methods that can be taken to avoid hearing loss.
International Journal of Pediatric Otorhinolaryngology Volume: 44, Issue: 3, August 10, 1998. pp. 251-258. Schnweiler, R.; Ptok, M.; Rad, H.-J.
This was an article describing various studies that have been done to determine the effects of hearing loss on learning development.
Hearing Research Volume: 88, Issue: 1-2, August, 1995. pp. 54-60. Hellstrm, Per-Anders
This article provided specifics on the way in which hearing loss can cause the inability to hear certain frequencies of sound.
Wolfe, Joe. What is a decibel? 1998. http://www.phys.unsw.edu.au/~jw/dB.html
This site provided specific explanation of what a decibel is as well as informatino regarding measurable human hearing compacities.
Eric K. Prichard. May 15, 2000. Electronic Engineering Times. Is Audio Thin, Stiff, Dead or Warm, Fat, and Resilient.
This article describes the perceptual differences between audio equiptment, digital and analog.
Early Music America. 2000. http://homepages.kdsi.net/~sherman/hearingloss.htm Bernard D. Sherman
This website highlights the danger of prolonged exposure to loud music. It provided facts that made teenage hearing loss comparible to that of adults.
Hearing Loss. 2000. http://depts.washington.edu/hearing/Hearing%20Loss.html University of Washington.
This article provided a description of the way hearing loss effects an individuals ability to comprehend and understand speech patterns.
Sound waves (2002). Cited: 9 October, 2003. http://members.optushome.com.au/scottsoftc/Chapter01/Chapter1c.htm
This website describes the basic functions of sound waves, and gives visual representations
Sound, The Fundamentals (2003). Cited: 8 October, 2003. http://www.squ1.com/sound/properties.html
This webiste describes the basic functions of sound, its properties, characteristics. It also discusses the human ear, propagation, barriers, transmission, and absorption.
The Nature of a Wave (2001). Cited: 9 October, 2003. http://www.glenbrook.k.12.il.us/gbssci/phys/Class/waves/u10l1a.html
Sine Wave (1999). Cited: 7 October, 2003. http://www.sfu.ca/sonic-studio/handbook/Sine_Wave.html
This Website provides a handbook for acoustic ecology. It gives information about many aspecs of sound and how it functions
Basics of Sound Waves (2001). Cited: 9 October, 2003 http://www.particle.kth.se/~fmi/kurs/PhysicsSimulation/Lectures/04A/waveSound.html
This website describes the basic functions of sound. It discusses topics such as wave collisions, the Doppler Effect, and infrasound.
Oticon (2003). Cited: October 9, 2003. How does the ear work? www.oticon.dk.
This site is made by a company that makes hearing aids and such. It has good information on hearing loss.
Centre Rgional dŐlmagerie Cellulaire (CRIC) (2002). Cited: October 9, 2003. Ear. http://www.iurc.montp.inserm.fr/cric/audition/english/ear/fear.htm
This is a good place to find many picture and diagrams of the human ear. There is also a good description of ear functionality.
Advanced Cochlear Systems (2001). Cited: October 9, 2003. Hearing Physiology. http://www.inceptiongroup.com/advcoch/I2_Hearing_Physiology.htm
This site has a lot of informations as well as diagrams showing the inner workings of the human ear.
Jeff Welty (2001). Cited: October 9, 2003. Digital Audio Restoration. http://gwc.sourceforge.net/gwc_science/gwc.html
This guide explains the issues and tricks surrounding audio and restoring it to original quality.
The Annals of Occupational Hygiene Volume: 45, Issue: 5, July, 2001. pp. 371-380. Ahmed, H.O.; Dennis, J.H.; Badran, O.; Ismail, M.; Ballal, S.G.; Ashoor, A.; Jerwood, D.
International Journal of Pediatric Otorhinolaryngology Volume: 44, Issue: 3, August 10, 1998. pp. 251-258. Schnweiler, R.; Ptok, M.; Rad, H.-J.
Hearing Research Volume: 88, Issue: 1-2, August, 1995. pp. 54-60. Hellstrm, Per-Anders
Early Music America. 2000. http://homepages.kdsi.net/~sherman/hearingloss.htm Bernard D. Sherman
Hearing Loss. 2000. http://depts.washington.edu/hearing/Hearing%20Loss.html University of Washington.
Sound waves (2002). Cited: 9 October, 2003. http://members.optushome.com.au/scottsoftc/Chapter01/Chapter1c.htm
Sound, The Fundamentals (2003). Cited: 8 October, 2003. http://www.squ1.com/sound/properties.html
The Nature of a Wave (2001). Cited: 9 October, 2003. http://www.glenbrook.k.12.il.us/gbssci/phys/Class/waves/u10l1a.html
Sine Wave (1999). Cited: 7 October, 2003. http://www.sfu.ca/sonic-studio/handbook/Sine_Wave.html
Basics of Sound Waves (2001). Cited: 9 October, 2003 http://www.particle.kth.se/~fmi/kurs/PhysicsSimulation/Lectures/04A/waveSound.html
Oticon (2003). Cited: October 9, 2003. How does the ear work? www.oticon.dk.
Centre Rgional dŐlmagerie Cellulaire (CRIC) (2002). Cited: October 9, 2003. Ear. http://www.iurc.montp.inserm.fr/cric/audition/english/ear/fear.htm
Advanced Cochlear Systems (2001). Cited: October 9, 2003. Hearing Physiology. http://www.inceptiongroup.com/advcoch/I2_Hearing_Physiology.htm
Jeff Welty (2001). Cited: October 9, 2003. Digital Audio Restoration. http://gwc.sourceforge.net/gwc_science/gwc.html
Wikipedia (2003) Cited: October 9, 2003/ Digital Audio.
http://www.wikipedia.org/wiki/Digital_audio
More information on the issues within digital audio and its representation.
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This page was last modified 04:44, 16 Dec 2003. All text is available under the terms of the GNU Free Documentation License.
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